Aesthethic Colonization: The Cultural Battle Within Latin America’s Arthouse Cinema
Alonso Aguilar on Latin American Cinema as a battlefield between Western complacency and radical intent.
Photogénie combineert een gevoel van verwondering met scherpe analyses. Het verbindende principe is de intense beleving van cinema. De artikels op deze website – over oude en nieuwe films, cinema uit het heden en verleden – proberen deze beleving niet in vooropgezette kaders te laten passen, maar willen de lezer / kijker ontvankelijk maken voor wat films ons kunnen laten zien, in een poging de allure van cinema onder woorden te brengen.
281 ARTIKELS in photogénie
Alonso Aguilar on Latin American Cinema as a battlefield between Western complacency and radical intent.
"Addicted to the pen, images of the camera pen are returned to words in an attempt to explain what was witnessed."
Ioanna Micha on dance as a road to acceptance in Levan Akin’s 'And Then We Danced' (2019).
Ben Flanagan on post-Franco Spanish cinema, from 1970s onwards when a transgressive strain had obtained a firm foothold.
Q: Can you write a manifesto about cinema?
A: (me, heartbroken, horny, lost) I'll see what I can do.
David Vanden Bossche on the evolution of the 'Urban Crime Thriller' in the 1970s and 1980s.
Ioanna Micha on Pietro Marcello's 'Martin Eden'.
Katrijn Bekers on Mati Diop's 'Atlantique'.
Patrick Preziosi on durational manipulation in the work of Rachel Cusk, Joanna Hogg and Chantal Akerman.
Satya Hariharan on Pietro Marcello’s 'Martin Eden'.
Satya Hariharan on Alejandro Landes's 'Monos'.
Alonso Aguilar on Mati Diop's 'Atlantique'.
Ioanna Micha on Nadège Trebal’s 'Douze Mille'.
Katrijn Bekers on Bas Devos's 'Ghost Tropic'.
Ben Flanagan on Wang Quan’an's 'Öndög'.
Ioanna Micha on Jessica Hausner's 'Little Joe'.
Alonso Aguilar on Hlynur Pálmason's 'A White, White Day'.
Ben Flanagan on Patrice Toye's 'Muidhond'.
Katrijn Bekers on Jérémy Clapin's 'J'ai perdu mon corps'.
Satya Hariharan on Théo Court's 'Blanco en blanco'.