CINEA highlights film heritage in all its intriguing facets and all its incarnations from the late nineteenth century until today, always from a film-historical and aesthetic standpoint: filmmakers have thousands of secrets, CINEA lets you in on them!
photogénie
Photogénie combines a sense of wonderment with keen analyses.
Photogénie Issue
photogénie #4 — From Behind the Wall 4 Articles in issue
An exploration of the relationship between national identity and cinema as a manifold thing, born out of a complex web of factors.
4 Articles in issue
Photogénie Essay
Floating and Scattered: Displacement in the Postwar Films of Naruse Mikio
Patrick Preziosi on the air of rootlessness that pervaded Japan’s post-occupation years, as exhibited in the films of Naruse Mikio.
Photogénie Essay
Shared Diaspora: The Faces of Identity in Central American Cinema
Alonso Aguilar on the use of the seventh art in Central America to analyse a past and present that are inconvertible.
Photogénie Essay
Motherhood/Motherland: The Case of Bulgarian National Cinema
Savina Petkova on a contemporary Bulgarian cinema with a critical, corporeal and feminist perspective on the country's communist legacy.
Photogénie Essay
Scott Adkins, English Folk Hero Extraordinaire
David G. Hughes draws from a wide range of sources to posit action star Scott Adkins as the epitome of the English working-class spirit.
Photogénie Essay
Pushing Low-Key Limits: A Cinematographic History of Noir and Neo-Noir
David Vanden Bossche charts the evolution of film noir's visual style from the 1940s to the 1980s.
Anatomie van de film
The Man with the Golden Arm (1955)
David Vanden Bossche over Otto Premingers 'The Man with the Golden Arm' (1955).
Anatomie van de film
Les Quatre Cents Coups (1959)
Wouter Hessels over François Truffauts 'Les Quatre Cents Coups'.
Anatomie van de film
The Naked Kiss (1964)
David Vanden Bossche over 'The Naked Kiss' (1964).
Anatomie van de film
De Apu-trilogie (1955-1959)
Anke Brouwers over de Satyajit Ray's Apu-trilogie.