CINEA highlights film heritage in all its intriguing facets and all its incarnations from the late nineteenth century until today, always from a film-historical and aesthetic standpoint: filmmakers have thousands of secrets, CINEA lets you in on them!
photogénie
Photogénie combines a sense of wonderment with keen analyses.
Photogénie Essay
Cast Away Diva — On the Monstrosity of Pasolini’s ‘Medea’
Michaël Van Remoortere delves into the core of Greek myths by focusing on Pier Paolo Pasolini’s 'Medea' (1969).
Photogénie Essay
Present-Tense Memory: On Joanna Hogg and B.S. Johnson
Patrick Preziosi on memory and artistic creation in 'The Souvenir Part II' and B.S. Johnson’s novel 'The Unfortunates'.
Photogénie Review
The Worst Person in the World — Young Critics Workshop
Luise Mörke on Joachim Trier's 'The Worst Person in the World'.
Photogénie Review
Inexorable — Young Critics Workshop
Nazeeh Alghazawneh on Fabrice du Welz's 'Inexorable'.
Photogénie Review
Wet Sand — Young Critics Workshop
Jack Seibert on Elene Naveriani's 'Wet Sand'.
Photogénie Review
Vortex — Young Critics Workshop
Hanne Schelstraete on Gaspar Noé's 'Vortex'.
Anatomie van de film
Adoption (1975)
Anke Brouwers over Márta Mészáros' 'Adoption' (1975).
Anatomie van de film
Die verlorene Ehre der Katharina Blum (1975)
Lennart Soberon over Volker Schlöndorff & Margarethe von Trotta's 'Die verlorene Ehre der Katharina Blum' (1975).
Anatomie van de film
Closely Watched Trains (1966)
Tim Deschaumes over Jiří Menzels 'Closely Watched Trains' (1966).
Anatomie van de film
Soleil Ô (1967)
David Vanden Bossche over Med Hondo's 'Soleil Ô' (1967).