Photogénie Essay
In Memoriam: Irm Hermann (1942-2020)
Patrick Duynslaegher on Irm Hermann, the actress who left as big a mark on the work of Fassbinder as any of his more famous contributors.
CINEA belicht het cinematografisch erfgoed in al zijn boeiende facetten en al zijn reïncarnaties van eind negentiende eeuw tot vandaag, steeds vanuit een filmhistorisch en esthetisch standpunt: filmmakers hebben duizenden geheimen, CINEA leert je ze kennen!
photogénie
Photogénie combines a sense of wonderment with keen analyses.
Photogénie Essay
In Memoriam: Linda Manz (1961-2020)
Ruairí McCann on the short but unique and unforgettable career of Linda Manz.
Photogénie Essay
In Memoriam: Fernando Solanas (1936-2020)
Alonso Aguilar on filmmaker, politician, activist and writer, Fernando "Pino" Solanas.
Photogénie Essay
In Memoriam: Bruce Baillie (1931-2020)
Maximilien Luc Proctor on Bruce Baillie.
Photogénie Essay
Tiger Queen: Olivia de Havilland
In memoriam: Anke Brouwers on Olivia de Havilland (1916-2020).
Photogénie Essay
Wandering and Searching: Thomas Arslan’s ‘A Fine Day’
Debbie Zhou analyses the inaugural 'Berlin school' film, scrutinising its aesthetic and conceptual treatment of identity.
Anatomie van de film
The Man with the Golden Arm (1955)
David Vanden Bossche over Otto Premingers 'The Man with the Golden Arm' (1955).
Anatomie van de film
Les Quatre Cents Coups (1959)
Wouter Hessels over François Truffauts 'Les Quatre Cents Coups'.
Anatomie van de film
The Naked Kiss (1964)
David Vanden Bossche over 'The Naked Kiss' (1964).
Anatomie van de film
De Apu-trilogie (1955-1959)
Anke Brouwers over de Satyajit Ray's Apu-trilogie.