CINEA highlights film heritage in all its intriguing facets and all its incarnations from the late nineteenth century until today, always from a film-historical and aesthetic standpoint: filmmakers have thousands of secrets, CINEA lets you in on them!
Countering the Exotic: The Occupation of Space in ‘Öndög’
Nina Cools on the relationship between landscape and the human and non-human figures that occupy it in Wang Quan’an’s 'Öndög'.
photogénie #3 — Islands of Pain 5 Articles in issue
On the cinematographic representation of growing up in a world you were thrown into without a choice.
5 Articles in issue
Reclaiming Womanhood – On Lynne Sachs’ ‘The House of Science’
Tijana Perović on Lynne Sachs' analysis of the way women have learnt to see their bodies through the clinical, male gaze.
Growing Away from Home, into the Unknown — Three Short Films by Markopoulos, Brakhage and Straub-Huillet
Maximilien Luc Proctor looks at growing pains in a formalist way, examining three short to medium length films by accomplished directors.
‘Conte Immoral’ — The Fairy Tale and the Transition from Childhood to Adolescence in Catherine Breillat’s ‘Bluebeard’
Ruairí McCann on Catherine Breillat's revisionist interpretation of the fairy tale classic.
Today Your Love, Tomorrow the World: On the First Four Episodes of ‘Tous les garçons et les filles de leur âge’
Joseph Pomp on the films that André Téchiné, Claire Denis, Chantal Akerman and Olivier Assays contributed to the series.
The Naked Kiss (1964)
David Vanden Bossche over 'The Naked Kiss' (1964).
De Apu-trilogie (1955-1959)
Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)
The Ascent (1977)
Tim Deschaumes over Larisa Shepitko's 'The Ascent' (1977).