CINEA highlights film heritage in all its intriguing facets and all its incarnations from the late nineteenth century until today, always from a film-historical and aesthetic standpoint: filmmakers have thousands of secrets, CINEA lets you in on them!
photogénie
Photogénie combines a sense of wonderment with keen analyses.
Photogénie Essay
Deadline: In a Lonely Place
Cristina Álvarez López and Adrian Martin on how trust and distrust are given shape in time and space in Nicholas Ray's 'In a Lonely Place'.
Photogénie Issue
photogénie #8 — The Soul’s Interior, The Divine Hand 5 Articles in issue
The search for a Rosetta Stone to further the necessary reinterpretations of acting and directing.
5 Articles in issue
Photogénie Essay
The English Voice in Personal Documentary
Ben Flanagan’s interrogates the male English voice in documentary, where directors adopt an ostensible command of truth and depiction.
Photogénie Essay
Embodying Discontent: Performance as Political Barometer in Glauber Rocha’s Antonio das Mortes Saga
Alonso Aguilar examines the jump made by Glauber Rocha and Maurício do Valle, from 'Black God, White Devil' to 'Antonio das Mortes'.
Photogénie Essay
Acting in Absentia: Werner Schroeter and Maria Callas
Kathy Vanhout analyzes the manifestation of the image and voice of singer and actress Maria Callas in Werner Schroeter’s filmography.
Photogénie Essay
Fantasy Sentences: La Vie de famille and the Cinema of Jacques Doillon
Lawrence Garcia looks at how Jacques Doillon invites viewers into his filmic fantasy via the subtly variegated gestures of the performers.
Anatomie van de film
In a Lonely Place (1950)
Anke Brouwers over Nicholas Ray's 'In a Lonely Place' (1950).
Anatomie van de film
De man die zijn haar kort liet knippen (1965)
Gertjan Willems over André Delvaux' 'De man die zijn haar kort liet knippen' (1965).
Anatomie van de film
La última cena (1976)
David Vanden Bossche over Tomás Gutiérrez Alea's 'La última cena' (1976).
Anatomie van de film
The Man with the Golden Arm (1955)
David Vanden Bossche over Otto Premingers 'The Man with the Golden Arm' (1955).