Returning to the Canvas. On Amit Dutta and ‘Modernism by Other Means’
Maximilien Luc Proctor on Srikanth Srinivasan's book-length, career-spanning survey of the work of director Amit Dutta.
CINEA belicht het cinematografisch erfgoed in al zijn boeiende facetten en al zijn reïncarnaties van eind negentiende eeuw tot vandaag, steeds vanuit een filmhistorisch en esthetisch standpunt: filmmakers hebben duizenden geheimen, CINEA leert je ze kennen!
Photogénie combines a sense of wonderment with keen analyses.
Maximilien Luc Proctor on Srikanth Srinivasan's book-length, career-spanning survey of the work of director Amit Dutta.
A look at filmmakers' writing, not to find hidden meaning in their films, but explore the tension between their intentions and their work.
5 Articles in issue
Cláudio Alves considers Ingmar Bergman’s 'The Magic Lantern' not as a miraculous key, but as a complement to Bergman's cinematic world.
Ruairí McCann examines Josef Von Sternberg’s biography, its irreverent name-calling, and its maverick author's 'over-it' attitude.
Luise Mörke examining how Miranda July's prose fiction supplements her on-screen reach for an emotional core often dismissed as quirky.
Michaël Van Remoortere contemplates Derek Jarman’s writing on the beauty of living and coming to peace far from the cinema.
David Vanden Bossche over Otto Premingers 'The Man with the Golden Arm' (1955).
Wouter Hessels over François Truffauts 'Les Quatre Cents Coups'.
David Vanden Bossche over 'The Naked Kiss' (1964).
Anke Brouwers over de Satyajit Ray's Apu-trilogie.