CINEA belicht het cinematografisch erfgoed in al zijn boeiende facetten en al zijn reïncarnaties van eind negentiende eeuw tot vandaag, steeds vanuit een filmhistorisch en esthetisch standpunt: filmmakers hebben duizenden geheimen, CINEA leert je ze kennen!
photogénie
Photogénie combineert een gevoel van verwondering met scherpe analyses.
Photogénie Essay
Credo quia absurdum: on Terrence Malick’s ‘A Hidden Life’
Michaël Van Remoortere on grace and wonder as resistance in Terrence Malick's 'A Hidden Life'.
Photogénie Issue Issue
photogénie #2 — Cinema and/vs. Politics 5 Artikels in issue
On the political role of cinema in its various phases of its interdependency with history at large.
5 Artikels in issue
Photogénie Essay
Editing of a Revolution: Representations of the December 1989 Romanian Revolution
Andra Petrescu examines documentaries on the Romanian Revolution made later than 1989, to identify their various functions.
Photogénie
Memories of a Revolution. How Iranian Cinema Was Shaped After the Islamic Revolution of 1979
Hossein Eidizadeh explores how Post-Islamic Revolution Iranian cinema meant the protective reinvention of a homogeneous national culture.
Photogénie Essay
Neither For the Revolution Nor Against It? The Subtle Radicalism of ‘Memories of Underdevelopment’
Irina Trocan on the paradoxes of Cuban cinema in the 1960s.
Photogénie Essay
Being Gay Is Not a Movie: ‘It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives’
Călin Boto analyses Rosa von Praunheim’s 'It Is Not the Homosexual Who Is Perverse, But the Society in Which He Lives'.
Anatomie van de film
Anatomie van de film ontleedt de filmkunst in haar historische context.
Anatomie van de film
The Naked Kiss (1964)
David Vanden Bossche over 'The Naked Kiss' (1964).
Anatomie van de film
De Apu-trilogie (1955-1959)
Anatomie van de film
Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)
Anatomie van de film
The Ascent (1977)
Tim Deschaumes over Larisa Shepitko's 'The Ascent' (1977).