Maximilien Luc Proctor looks back at the Berlinale, contemplating the impact of our current moment on the films and the festival itself.

Alonso Aguilar proposes an alternative Berlinale program that consists of immersive accounts of the subjective experience of time.

Inge Coolsaet's video letter examines the process of written criticism and its final product in the context of an online film festival. 

Maximilien Luc Proctor on Srikanth Srinivasan's book-length, career-spanning survey of the work of director Amit Dutta.

Cláudio Alves considers Ingmar Bergman’s 'The Magic Lantern' not as a miraculous key, but as a complement to Bergman's cinematic world.