Photogénie Notes
Returning to the Canvas. On Amit Dutta and ‘Modernism by Other Means’
Maximilien Luc Proctor on Srikanth Srinivasan's book-length, career-spanning survey of the work of director Amit Dutta.
CINEA belicht het cinematografisch erfgoed in al zijn boeiende facetten en al zijn reïncarnaties van eind negentiende eeuw tot vandaag, steeds vanuit een filmhistorisch en esthetisch standpunt: filmmakers hebben duizenden geheimen, CINEA leert je ze kennen!
photogénie
Photogénie combineert een gevoel van verwondering met scherpe analyses.
Photogénie Issue
photogénie #7 — Show and Tell 5 Artikels in issue
A look at filmmakers' writing, not to find hidden meaning in their films, but explore the tension between their intentions and their work.
5 Artikels in issue
Photogénie Essay
The Curious Conundrums of Bergman’s Magic Lantern
Cláudio Alves considers Ingmar Bergman’s 'The Magic Lantern' not as a miraculous key, but as a complement to Bergman's cinematic world.
Photogénie Essay
Fun in a Chinese Laundry: Josef von Sternberg, the Filmmaker, the Memoirist and the Legendarium
Ruairí McCann examines Josef Von Sternberg’s biography, its irreverent name-calling, and its maverick author's 'over-it' attitude.
Photogénie Essay
An Eerily Vulnerable Thing. Miranda July and the Failure of Profundity
Luise Mörke examining how Miranda July's prose fiction supplements her on-screen reach for an emotional core often dismissed as quirky.
Photogénie Essay
No Hortus Conclusus, My Seaside Garden. On the Writings of Derek Jarman
Michaël Van Remoortere contemplates Derek Jarman’s writing on the beauty of living and coming to peace far from the cinema.
Anatomie van de film
Anatomie van de film ontleedt de filmkunst in haar historische context.
Anatomie van de film
The Man with the Golden Arm (1955)
David Vanden Bossche over Otto Premingers 'The Man with the Golden Arm' (1955).
Anatomie van de film
Les Quatre Cents Coups (1959)
Wouter Hessels over François Truffauts 'Les Quatre Cents Coups'.
Anatomie van de film
The Naked Kiss (1964)
David Vanden Bossche over 'The Naked Kiss' (1964).
Anatomie van de film
De Apu-trilogie (1955-1959)
Anke Brouwers over de Satyajit Ray's Apu-trilogie.