Zomer Film College 2019
Cinema Zuid
7 > 13 juli 2019
Meer infoCINEA belicht het cinematografisch erfgoed in al zijn boeiende facetten en al zijn reïncarnaties van eind negentiende eeuw tot vandaag, steeds vanuit een filmhistorisch en esthetisch standpunt: filmmakers hebben duizenden geheimen, CINEA leert je ze kennen!
Magazine
Photogénie
The Director as Curator: Music in the Films of Barry Jenkins
Patrick Preziosi on the importance of score and song in the films of Barry Jenkins.
Essay
Nobody Wrote ‘Nagasaki, Mon Amour’: Cultural Memory, Art and Re-Enactment in Radu Jude’s “I Do Not Care if we go Down in History as Barbarians”
Yirka De Brucker and David Vanden Bossche on the tension between art and trauma in “I Do Not Care if we go Down in History as Barbarians”.
Essay
Lune, Lautre et La Chose: Transgression in Bertrand Mandico’s Notre-Dame des Hormones
Souky De Wolf on the rebellious and playful cinema of Bertrand Mandico.
Essay
Coming of Age as Other: Indigenous People in the Ethnofiction Film The Dead and The Others
NJ Nuñez on the representation of otherness in João Salaviza and Renée Nader Messora's 'The Dead and the Others'.
Essay
Zhangke Going Home: Retrospection in the Cinema of Jia Zhangke
Ruairí McCann on how Jia Zhangke revisits his own oeuvre in his 21st century output.
Essay
Architecture of Desire: Yorgos Lanthimos’ The Favourite
Savina Petkova on how desire is translated through set design and cinematography in Yorgos Lanthimos’ 'The Favourite' (2018).
Essay