Zomer Film College 2019
Cinema Zuid
7 > 13 juli 2019
Meer infoCINEA belicht het cinematografisch erfgoed in al zijn boeiende facetten en al zijn reïncarnaties van eind negentiende eeuw tot vandaag, steeds vanuit een filmhistorisch en esthetisch standpunt: filmmakers hebben duizenden geheimen, CINEA leert je ze kennen!
photogénie
“We should think of realism as an expanding concept.” A conversation with Jia Zhangke.
Camille Bourgeus spoke with Jia Zhangke at the avant-premiere of his latest film Ash Is Purest White (2018) in Brussels.
Interview
« Collusion, Not Collision » ? – Proximity and Distance in Olivier Assayas’ ‘Doubles vies’ (‘Non-Fiction’)
Steff Nellis on how Olivier Assayas covers new stylistic ground in his latest film.
Essay
One Soul to Another — Wang Bing’s Monumental ‘Dead Souls’
Camille Bourgeus on Wang Bing's latest momentous documentary, 'Dead Souls'.
Essay
Sundance 2019 – On Matters of Representation
Inge Coolsaet on the representation of black masculinity in two new features that debuted at Sundance 2019.
Essay
The Director as Curator: Music in the Films of Barry Jenkins
Patrick Preziosi on the importance of score and song in the films of Barry Jenkins.
Essay
Nobody Wrote ‘Nagasaki, Mon Amour’: Cultural Memory, Art and Re-Enactment in Radu Jude’s “I Do Not Care if we go Down in History as Barbarians”
Yirka De Brucker and David Vanden Bossche on the tension between art and trauma in “I Do Not Care if we go Down in History as Barbarians”.
Essay