Berlinale 2021 — Covid the flow?
Maximilien Luc Proctor looks back at the Berlinale, contemplating the impact of our current moment on the films and the festival itself.
CINEA belicht het cinematografisch erfgoed in al zijn boeiende facetten en al zijn reïncarnaties van eind negentiende eeuw tot vandaag, steeds vanuit een filmhistorisch en esthetisch standpunt: filmmakers hebben duizenden geheimen, CINEA leert je ze kennen!
Photogénie combineert een gevoel van verwondering met scherpe analyses.
Maximilien Luc Proctor looks back at the Berlinale, contemplating the impact of our current moment on the films and the festival itself.
Alonso Aguilar proposes an alternative Berlinale program that consists of immersive accounts of the subjective experience of time.
Inge Coolsaet's video letter examines the process of written criticism and its final product in the context of an online film festival.
Maximilien Luc Proctor on Srikanth Srinivasan's book-length, career-spanning survey of the work of director Amit Dutta.
A look at filmmakers' writing, not to find hidden meaning in their films, but explore the tension between their intentions and their work.
5 Artikels in issue
Cláudio Alves considers Ingmar Bergman’s 'The Magic Lantern' not as a miraculous key, but as a complement to Bergman's cinematic world.
Anatomie van de film ontleedt de filmkunst in haar historische context.
David Vanden Bossche over Otto Premingers 'The Man with the Golden Arm' (1955).
Wouter Hessels over François Truffauts 'Les Quatre Cents Coups'.
David Vanden Bossche over 'The Naked Kiss' (1964).
Anke Brouwers over de Satyajit Ray's Apu-trilogie.