Music with Attitudes: Musical Layers and Counter Narrative in Jordan Peele’s ‘Us’
David Vanden Bossche on how music is used to build a counter narrative in Jordan Peele's 'Us'.
Essay
CINEA belicht het cinematografisch erfgoed in al zijn boeiende facetten en al zijn reïncarnaties van eind negentiende eeuw tot vandaag, steeds vanuit een filmhistorisch en esthetisch standpunt: filmmakers hebben duizenden geheimen, CINEA leert je ze kennen!
photogénie
Your Face: Transformation and ‘Tragedy in Anatomy’ in the Work of Tsai Ming-liang
Ruairí McCann on how Tsai's most recent work reconfigures familiar themes while looking for new ways to liberate cinema.
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Articulating Trauma — The Films of Dan Sallitt
Savina Petkova on the films of Dan Sallitt.
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Berlinale 2019 Redux — Why Film?
Maximilien Luc Proctor looks back at this year's Berlinale, discussing three films that tackle the age-old question: "Why make a film?"
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Rose Tint My World. Reflections on a conversation with Lucrecia Martel
Ans Van Gasse talked to Lucrecia Martel during her visit to Brussels.
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Wayúu, Witches and Westerns: Hybridization in ‘Pájaros de verano’
David Vanden Bossche on cultural hybridization and transcultural narrative forms in 'Pájaros de verano' (2018).
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